Lionel FAVRE, Lichtwischer, 2016, Ink on paper, 21× 30 cm
"I collect old and handmade industrial documents such as architectural drawings, wiring diagrams, construction plans of mechanical parts and blue prints. Due to fast evolving technology these plans have become redundant. Through my modifications, they receive a new function. Using their graphic lines as an architectural base I add free hand drawing, using black ink to create a spontaneous narrative drawing, which brings an organic dimension to the plans. To me, these documents are a testimony of our world’s transformation, moving from analog to digital. The original structure of the plan is a challenge to my creativity that incites me to see how close
I can bring the free hand drawing to the straight technical lines of the engineer. To modify the plans, I must first redraw the existing lines that have faded with time. Often lines that couldn’t clearly be seen bring the composition of the picture to a stable structure. A clear vision of the available space allows me to apply my own interpretation of their history.
When the difference between the original lines and the ones I have created cannot be seen, a symbiosis between the reality and the imagination is achieved. Similarly, the same happens between the historic meaning of the plans and my own interpretation. The engineer becomes an artist and the artist becomes an engineer."
Lionel FAVRE, Unterbau zu einer Pietà, 2015, Ink on paper, 40 x 50 cm
Lionel FAVRE, Cheburashka, 2015, Pencil on paper, 60x85 cm